Center for Art, Design, and Visual Culture presents first early-career survey of artist Levester Williams, all matters aside

Video still of Nia Hampton in the vignette “Nia’s Embrace” from “dreaming of a beyond:
Baltimore,” filmed at Mount Vernon Park Place in November 2023. (Photo by Levester
Williams.)

CADVC is pleased to announce a new public video screening program in the Fine Arts Building amphitheater, presenting Williams’s new video works Cockeysville and standing ground (on Washington), featuring UMBC and Baltimore-area collaborators. These projected works will be presented alongside rich survey exhibition in the CADVC gallery space.

September 20 – December 14, 2024  

Nia Hampton (left) and Sheila Gaskins in “standing ground (On Washington)” from “dreaming
of a beyond: Baltimore,” filmed at the base of the Washington Monument in Baltimore.
(Photo by Levester Williams.)

UMBC’s Center for Art, Design, and Visual Culture (CADVC) announces the early-career survey  Levester Williams: all matters aside, an exhibition curated by Lisa D. Freiman, professor of art  history at Virginia Commonwealth University, on view at the CADVC gallery at the University of  Maryland, Baltimore County from September 20 through December 14.

Levester Williams: all matters aside presents a selection of the Philadelphia-based conceptual  sculptor’s work from the past decade including sculpture, video, sound art, and installation.  Williams’s research-based practice, which includes explorations of diverse archives, studies of materials, and explorations of the charged sites of public spaces, is vitally linked to an art  practice that sees the world as a nuanced spectrum of human identities and experiences  entangled in designations of race, gender, sexuality, and aesthetics.

Levester Williams’s artworks are steeped in the significance of their constitutive materials and their layered connections to specific sites. When he uses specific media, such as Maryland’s Cockeysville marble, or found objects, such as used penitentiary bedsheets from a Virginia detention center, he channels their layered associations with Black experience, history, and memory into new contexts and forms.

On display in all matters aside are new works with origins in Williams’s 2015-initiated project of  a beyond, where he began to examine the connections among blues singer Billie Holiday,  Cockeysville marble, and Baltimore’s built environments. During an artist residency at CADVC,  Williams continued this research into the histories and mythologies of Cockeysville marble, a  material used in both the Washington Monument in Baltimore’s Mount Vernon neighborhood  and the iconic exterior steps of local rowhomes.

The exhibition will be accompanied by the first in CADVC’s public art projection series with a  new video art gallery set into the open amphitheater of the UMBC Fine Arts Building. New single-channel videos commissioned by the Center result from research and movement  workshops that included UMBC students and other Baltimore residents. The commissions were  part of the Center’s Exploratory Research Residency Program, launched in 2022 and sponsored  by the “Big Ideas” initiative of the College of Arts, Humanities, and Social Sciences (CAHSS)  Dean’s office. Artist Nia Hampton, a current UMBC Intermedia + Digital Arts (IMDA) graduate  student, and her mother, artist and arts advocate Sheila Gaskins, both Baltimore natives, are  featured performers in this series of works. The filmic work was assisted by IMDA graduate  student Bao Nguyen and artist Savannah Knoop, who served as an intimacy coordinator and  facilitator. According to Williams, the project underscores the “intertwined history of African Americans’ plight to self-determined agency and full citizenship, with a rather benign stone.”

The projection project was seeded by a public art planning grant through the Maryland State Arts Council, with artist Kelley Bell and art historian Kathy O’Dell serving as advisors, and artist Rahne Alexander convening a series of public programs that developed this planning effort.

The construction of this public projection space was supported by the CAHSS Dean’s office and the Division of Research and Creative Achievement at UMBC.

 

Opening Reception

The exhibition was opened on September 19 from 5 to 7 p.m. with public programming featuring Levester Williams, Michelle Diane Wright, and Lisa Freiman. The program is free and open to the public.

Photo of Levester Williams by Sizwe Ndlovu.

About the Artist

Levester Williams (b. 1989) was born in Lansing, Michigan, and raised in Columbia, Tennessee. He received his B.F.A. in art and design from University of Michigan (2013) and his M.F.A. in sculpture and extended media from Virginia Commonwealth University (2016). He recently completed his master’s degree in computer and information technology in the School of Engineering and Applied Sciences at University of Pennsylvania (2024). Williams currently lives and works in Philadelphia, a city that—like Baltimore— incorporates Cockeysville marble into it its architectural and monumental landscapes.

Photo of Lisa Freiman courtesy of Lisa Freiman.

About the Curator

Lisa Freiman is a curator, arts consultant, and writer with over thirty years of experience in the field of contemporary art. Since 2013, she has been a tenured professor of art history at Virginia Commonwealth University where she also served as the inaugural director of the Institute for Contemporary Art. Freiman was the curator and commissioner for the U.S. Pavilion for the 2011 Venice Biennale and developed a 100-acre sculpture park in Indianapolis that opened in 2010.

A drone image of the Texas Quarry in Cockeysville, Maryland, one of the locations where Cockeysville marble is mined. (Photo courtesy of Levester Williams.)

About the Center for Art, Design, and Visual Culture (CADVC)

CADVC is a College of Arts, Humanities, and Social Sciences research center and art gallery that produces scholarship, publications, and experimental engagements in the fields of art, design, and visual culture. CADVC expands the mandate of the academic art gallery, aligned with the rigor and interdisciplinarity of UMBC as a research institution and Honors University. The exploratory research residency program at CADVC is a pilot program promoting locally-responsive artistic research. Levester Williams is the first artist resident in this series to present work in the CADVC gallery; artist Tomashi Jackson’s residency research will be presented at CADVC in 2025.


Visitor Information

The CADVC is located on the first floor of UMBC’s Fine Arts Building. Admission to the gallery and to public programs is free, and hours will be posted on the Center’s website. Free evening and weekend parking is available in nearby Lot 8. Daytime metered parking is available in several nearby visitor parking areas. Please visit here for additional information.