Image Transfer: Pictures in a Remix Culture
Curated by Sara Krajewski; co-organized by Independent Curators International, New York, (ICI) and the Henry Art Gallery, and circulated by ICI.
Image Transfer: Pictures in a Remix Culture spotlights evolving attitudes toward the appropriation, recuperation, and repurposing of extant photographic imagery. Artists, as both producers and consumers in today’s vast image economy, freely adopt and adapt materials from myriad sources. Images culled from the Internet, magazines, newspapers, advertisements, television, films, personal and public archives, studio walls, and from other works of art are all fair game. Image Transfer brings together artists who divert commonplace, even ubiquitous, visual materials into new territories of formal and idiomatic expression.
This exhibition proposes that these artists mark the progression of intuitive practices that are thoroughly at ease with today’s hyper-fluid circulation of images. In our digital age of fair use and open source, these attitudes demonstrate how far traditional notions of the authority and primacy of source materials have shifted toward a fluent rethinking of the way we value and interact with images. Image Transfer will explore several questions. How are artists using clipped, copied, grabbed, or downloaded images, and what do such artistic positions relate to the viewer vis-à-vis the work? How do such synthesized images operate in visual culture? Do these works critique our media-saturated age or are they only symptomatic of it? What can these processes and these composite images tell us about the state of photography today?
Concentrating on a dozen artists, Image Transfer will include photography, painting, drawing, collage, projection, and installation. Growing out of the legacies of Pop, Conceptual Art, the Pictures Generation, experimental film, and avant-garde design, the exhibiting artists employ tactics of transferring, accumulating, and recombining existing images to construct new images, objects, and situations. Notably the techniques of cut-and-paste, re-photography, double exposure, and other object-oriented studio practices commingle with photocopying, scanning, and the commands of editing software. Artists who work across these multiple platforms reflect a systemic evolution that broadly parallels aspects of DJ culture, television and film production, and the DIY movement. The proliferating phenomena of remixes, mash-ups, montage, and collage (and the technologies that enable them) inform an alternative perspective for contemplating developments in visual art in resonance with wide-ranging cultural trends.
Core funding for Image Transfer is provided by The Boeing Company, the Paul G. Allen Family Foundation, ArtsFund, 4Culture/King County Lodging Tax, and the Seattle Office of Arts & Cultural Affairs. Support to ICI for the exhibition and tour is provided by The Horace W. Goldsmith Foundation, The Andy Warhol Foundation for the Visual Arts, The Cowles Charitable Trust, the ICI Board of Trustees, and ICI Benefactors Barbara and John Robinson.
Additional support for the exhibition and educational outreach programs comes from the Baltimore County Commission on Arts and Sciences.
Image Transfer CADVC K-12 Remix