Annet Couwenberg, Cleft, 2016 Cleft: An Art & Engineering Collaboration October 5, 2021 5PM–7PM CADVC Presented by UMBC’s Center for Innovation, Research, and Creativity in the Arts (CIRCA) in partnership with the Center for Art, Design and Visual Culture Are we becoming an extension of the machine or the other way around? Artist Annet Couwenberg posed this question as she began a unique collaboration in Fall 2020 with UMBC engineering students led by Professor of Mechanical Engineering Tim Topoleski with the assistance of software developer and engineer Alan Grover to create her interactive sculpture Cleft. Join us for a lively conversation with Annet Couwenberg, Alan Grover, Dr. Topoleski, and participating students to learn more about the process behind Cleft’s creation, which will be on view in her exhibition Annet Couwenberg: Sewing Circles at the Center for Art, Design, and Visual Culture at UMBC in Fall 2021. The conversation will be moderated by Lori Rubeling, curator of the exhibition and Professor of Art and Communication Design at Stevenson University. Cleft (2016-21) is based on a Dutch ruffled collar as an example of a piece of clothing acting as both a constraint and a beautiful enhancement. Based on the concept of clothing as metaphor, the work examines the precarious balance between the constraints of social norms and our private desires. There is an intertwined yet conflictual relationship between immigration and citizenship, a state of anxiety that defines our contemporary condition. By putting the audience in charge as the “digital puppeteer,” Cleft explores the untangling of this conflict between self-determination and dependency through the syntax of the body, and the boundaries of our social interactions through computer software, which translates our ‘movements’. Livestream of “Cleft: An Art & Engineering Collaboration” About the Participants Born in the Netherlands, Annet Couwenberg received MFA degrees from Cranbrook Academy of Art and Syracuse University. She received a Smithsonian Artist and Research Fellowship in 2014. Her work has been exhibited nationally and internationally, including at Gyeonggi MOMA (Ansan, Korea), HOMA Museum (Seoul, Korea), Museum of Arts and Design (NYC), Delaware Center for Contemporary Arts (Wilmington, DE), 28th Street Studio (NYC), Contemporary Museum (Baltimore, MD), City Gallery (Atlanta, GA), Decorative Arts Museum (Little Rock, AR), Textile Museum (Tilburg, NL). Her work has been reviewed widely, including in Le Monde, Los Angeles Times, The Washington Post, New York Times, Christian Science Monitor, Baltimore Sun, The Atlanta Constitution, Philadelphia Inquirer, Fiberarts, Surface Design, The Journal of Cloth and Culture and Sculpture Magazine. Telos Art Publishing published a monograph on her work in 2003. Lori Rubeling has been collaborating and teaching art and design curricula with communities and a variety of educational institutions for over 30 years. Her expertise in design education is entrepreneurial and interdisciplinary when collaborating with communities as they seek to research, prototype, test or implement communication programs or design projects. Community clients include Carroll Mansion, Case[werks] Gallery and Showroom, D Center Baltimore, Irvine Nature Center, the Northeast Regional Honors Council, North Charles Business Committee, SHAG: Society for History and Graphics, and Station North Arts and Entertainment District. Dr. L.D. Timmie Topoleski is a Professor in the Department of Mechanical Engineering at UMBC. His research interests are to understand fundamental mechanisms of material behavior, and use that understanding to create new materials to solve problems based on materials performance and longevity. His work is focused on biomaterials: both materials that are manufactured to be implanted in the human body, and understanding human tissues as materials.(CIRCA) The Center for Innovation, Research, and Creativity in the Arts is an interdisciplinary research center of the College of Arts, Humanities, and Social Sciences at UMBC dedicated to promoting inquiry and experimentation in and across the Arts disciplines. CIRCA supports innovative project-based research in the Arts, encompassing Dance, Music, Theatre, and the Visual Arts, by faculty, students, and visiting scholars, and promotes the development of interdisciplinary and collaborative projects that advance research in the Arts. CIRCA is committed to enhancing the local, national, and global reputation of the Arts at UMBC and to fostering innovative research and diverse viewpoints through hosting guest lectures, panel discussions, workshops, and performances. Learn more about Annet Couwenberg: Sewing Circles View Exhibition Visitor Information Our exhibitions and events are free and open to the public for full participation by all individuals regardless of race, color, religion, sex, national origin, or any other protected category under applicable federal law, state law, and the University’s nondiscrimination policy. If you need specific accommodations at one of our events, whether in person or online, or to experience an exhibition, please contact CADVC at cadvc@umbc.edu or 410-455-3188 as soon as possible.
